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Parkins, as the main character Sebastian, is utterly convincing and I forgot for a moment that we were watching an actor on stage in all of his glory. He is very believable as the pseudo-therapist and I started to feel attached to his world

Maygan Forbes - Always Time For Theatre

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This is an understated tour de force by Roger Parkins as Sebastian.  He modulates effortlessly and expertly between the different aspects of his role.

THEPEG - The Peg Review

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Parkins as narrator and protagonist, had the crowd in his hand as soon as he opened his mouth.  The delicate interweaving of laugh-out-loud comedy and heartbreaking vulnerability makes it an absolute must-see and a West-End worthy performance.

Micheál Lagan - London Pub Theatres

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Roger Parkins, making his professional debut, is good at handling the audience and makes Meff bafflingly watchable. 

James Loxton - British theatre Guide

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Roger Parkins found the perfect balance of calm and authority for the club’s meticulously organised, over-cautious founder, ‘A’. 

Niki Shakallis - Entertainment-Focus

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I adored every moment Roger Parkins was on stage - frequently reminding me of a homicidally included Mark from Peep Show. David James - London City Nights

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Roger Parkins as Antonio, palpably wrestles with his moral conscience. 

Chris Omaweng - LondonTheatre1

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Roger Parkins is the perfect G&S performer. A light voice with just the right intonation and sharp diction, he plays a neat guitar too and richly deserved the applause.

What's on the Fringe

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A key highlight to the piece that mustn’t go unmentioned, is the moment Roger Parkins as the Major General, performs the tongue twisting ‘I am the very model of a Modern Major General’ with ease, despite spitting out several words a second. Parkin’s scene stealer easily earns him the biggest applause of the night, leading to a rousing rendition at the curtain call. 

Jack Thomas - A Younger Theatre

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Parkins gave a performance of tremendous brio. 

Rebbeca Crankshaw - Spy in the Stalls

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The timing of the very first entrance by Roger Parkins and Mannering is spot on, and sets up the pace and energy that is continued.  This is a well written, well performed, simple yet tricky piece of theatre. 

H. Hemming - London Pub Theatres

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